5/7/2023 0 Comments Motu digital performer 8 pcPart of the reason for that is that the program still lacks key virtual instrument plug-ins (more on that later).įortunately, there's no hardware-based copy protection. Digital Performer installs very quickly, as it takes up just 1.7GB of hard disk space. System Requirements and Plug-in Formats For this review, I tested Digital Performer 8 on two machines: a quad-core Mac Pro (2009) running OS X Lion, and a quad-core MacBook Pro 15-inch (2012) running OS X Mountain Lion. ![]() On the Mac, at least, I've been using Digital Performer on and off for over 20 years, with my first experience being with the MIDI-only Performer in a college music lab on a Mac IIsi this latest version is a true pleasure to work with. When MOTU introduced version 8 last October, the company announced a PC version for the first time, and it's now finally becoming available. ![]() In the digital audio-enabled version's eighth iteration ($499 list), MOTU's flagship DAW remains a premier tool for MIDI composition and film scoring, and it contains enough audio-editing tools to serve as a solid all-around multitrack recorder. ![]() If there's a single digital audio workstation package that's more closely associated with the Mac than any other, it's MOTU's Digital Performer. Best Hosted Endpoint Protection and Security Software.And in a weird snafu, I couldn't get any of the impulse responses to load in the excellent ProVerb convolution reverb until I routed the plug-in's inputs and outputs-which needed to be done, but shouldn't have been necessary for finding and loading presets. Setting up auxiliary buses is also a little counter-intuitive, compared with, say, Pro Tools 10. You can only rename a track by option-clicking on it, for example, with no menu equivalent anywhere I could find. Veteran Digital Performer users will have no problem with the mixing interface and even love it, but if you're new to the platform, you'll curse a few of the interface quirks. For MIDI tracks, there are a number of live plug-ins you can enable, including non-destructive quantization. MIDI editing remains as robust as ever, with plenty of detailed adjustments and available tools. Unlike in Logic Pro, you can drag channels around in the Mixing Board view, which makes it easy to keep your project organized. Some of the new effects include the wonderfully-named Springamabob, which is a vintage spring tank reverb, and SubKick, a useful kick drum enhancer that adds sub-bass frequencies and overdrive in a way that would be tough to get out of a regular parametric EQ.Ī new Plug-in Chooser makes organizing your plug-ins a snap, and includes preset chain support DP8 also supports ReWire. ![]() There are 17 new effects, for a total of 84 bundled plug-ins. The mixing console gets a new coat of paint, but mostly works the same way as before. We ended up using Digital Performer for some serious manual pitch correction work on several takes of a lead vocal, and the results were completely transparent. On the other hand, pitch correction for vocal tracks is handled extremely well-to the point where you may want to use Digital Performer just for its native capabilities here, which approach Melodyne-levels of quality and ease of use. You'll need to slice up and manipulate individual audio pieces in Digital Performer, which takes a lot longer and doesn't sound as good. That said, if you work with pure audio a lot, and are coming from another DAW, you may miss a few common tools with Digital Performer-the big one being an equivalent of Pro Tools' Elastic Audio.
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